Nikon Z7 Nikkor 200 500

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Manuals for Nikon products/ 2018/02/15/ Ver.2.0.0 Manual Viewer 2 The Nikon Manual Viewer 2 app for iPhones, iPads, iPod touch, and Android devices can be used to download the manuals for Nikon digital SLR cameras and view them offline.

Written byThe Nikon 200-500mm f/5.6 zoom is a wonder, especially at its very affordable price point. For those photogs looking to get versatility and reach into their kit without spending a fortune, as many super telephotos require, this is the lens. It goes with me on virtually all trips. I find that extra reach of getting to the extremes of a 500mm lens gives me an edge on a job. I can really dramatically emphasize perspective, and compress a scene in a visually stimulating way.

Handy is way too modest. ByThetreemanI pre ordered the lens and got it a few days ago. I was excited from the reviews I had read so when it came I was ready for it. My first thoughts was ' that's a big lens' but the packaging is a little misleading since the hood is packaged in it's separate cardboard container and set on top of the lens in the main box. So it wasn't quite as large as first thought but when I got it out of the box and it's bubble wrapped bag I thought, 'That's still a big lens' It wasn't as heavy as I was expect. Pro tools 10 cracked plug ins for mac.

Ing from what other reviewers had said. I had mixed feeling since some said I would need a tripod and others said handheld was fine. I am basically a handheld kind of a guy but after I mounted it on my D800, I grabbed a monopod and headed for the wetlands see how it handled. I wanted to see how it 'worked' in my shooting style - Handheld and on the move - something that is not set up or in the studio. Since it does extend when you zoom there is a little difference in the balance but not too much and once realized it was a non problem. It comes with a mounting collar for a tripod or monopod and at first I thought it was a little odd and might be in the way for hand holding but it turned out to be a good handle and a resting point for reaching the focus ring when I wanted to adjust the focus manually.

If it bothers you, it does come off. It has a 2 position switch for focus - #M# manual and #M/A# Auto with manual override. That came in real handy when shooting birds that were inside tree branches. The auto focus would want to lock on the branches in front but a slight adjustment with the thumb on the focus ring corrected that.

It is big and after about an hour or more I was thinking 'This thing is heavy'. So I put it on the Monopod for a while. Since it is a 5.6 lens I was expecting to up the ISO to get a good a shutter speed. My first thought was something that would keep me above 1/1000 of a sec. #2 x 500 focal length# to help keeping things sharp but I found myself easily going well below 1/200 sec. And even down to less than 1/60 in some cased.

All the while maintaining an ISO of 200. Truth in advertising – it was midday and bright out. Plus I was glad it did have the VR. It was a noticeable difference at the slower shutter speeds. There was nothing scientific here, I shot across the range from 200 – 500 and from 5.6 – 27 #it’s rated to 32 but I deleted those files and cannot actually include them in my review#. At the end of the day I found I had mostly selected a lot of 40-50 mm increments #200, 240, 300, etc# and I was getting clear sharp shots all across the range.

I also favored the f5.6 – f8 range too. Most of those that were fuzzy were me not the lens or the camera. The worst thing I can say right now is maybe out past f11 or 16 - a little softer in the corners that could be attributed to the lens but I had to look for it.

Also on the big screen in some shots, I did see a little chromatic aberration - mostly purple. It was easily corrected and if you are looking for it and had some straight lines on the very edges of the frame there was some distortion. One click in PS and it was gone. I have not pushed the VR in Panning situations but I did do a couple shots at night using a porch light, a stucco wall and a couple things against the wall to see how well the VR worked.

It is an excellent feature. I don’t know if everyone will get 4&1/2 f-stop with it but it is good. So where does that leave me on this lens - It was larger than expected, Do not kid yourself – it is for distance shooting as it won’t close focus unless you consider greater than 7 feet close. You are probably not going to use this one for around the house snaps. It can be used very successfully handheld. It can and will get heavy. As with all large lenses #or any lens# mounting them ensures a sharper image.

I was amazed at the image quality. I did not expect it to be as good as it is. It did auto focus slower than I expected. On a D800 I shot the lens at 500mm and then cropped the image to only 10% of the frame and it was still sharp.

This lens is a good deal. I still have more tests but I’m happy with it so far. ByPerryThere is a huge debate on whether the Tamron and Sigma 150-600 mm lenses are better because of the longer focal length and Tamron's cheaper price.

There has been reports of softness in both Tamron and Sigma's offerings at the far ends of the focal lengths as well, so I see not gain in having 150 more millimeters in it's total focal length if it produces less than desirable images in those ranges.Let me say that this lens not only competes with them even though it's priced right in the middl. E of these 2 competitors, but it performs better. It's the best lens in this price range that Nikon has ever produced in my opinion.

Definitely the most bang for the buck.This lens is a real performer. I get instant focus, it has 1 stop of light better than both it's competitors as it's f5.6 through it's entire range. Tamron and Sigma are f6.3.It's an excellent wildlife lens. Nikon really outdid themselves with this one.

It's an FX lens, but it behaves quite nicely on my D7100 body. In fact, it really woke that camera up.If you're a serious wildlife photographer, it's a must for your arsenal.I got this lens for both me and my wife and neither of us regret the decision. AF-S NIKKOR 200-500mm f/5.6E ED VRThe Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR is an exhilarating lens option, giving enthusiast FX and DX-format photographers the ability to go further with amazing zoom power and tack-sharp clarity.

This compact super-telephoto zoom is ideal for bringing distant subjects closer, including birds, sports, wildlife and motorsports. This lens opens the doors for a fresh new perspective; with a maximum reach of 500mm on FX-format Nikon cameras and a staggering 750mm equivalent reach on DX-format cameras. With a maximum aperture of f/5.6, photographers have the ability to fill much of the frame with their subject and create a pleasing background blur, even in challenging light.

This lens also features Nikon's Electromagnetic Aperture for consistent exposures, as well as VR with 4.5 stops of image stabilization. Additionally, the VR features Sport Mode, which is well-suited for capturing vibrant, sharp images of distant subjects at high frame rates or when panning with fast-moving action. The lens also lets users focus as close as 7.2 ft. Throughout the entire focal range, for when a decisive play comes closer than expected, or capturing intricate details of nature.Whether spending all day at an air race or in the field, the NIKKOR 200-500mm f/5.6 is surprisingly lightweight at only 5 lbs 1.2 oz. (2300 grams) including the tripod collar, making this lens easy to use handheld for extended periods. Photographers looking for even more reach can increase the zoom power using an optional compatible Nikon 1.4x, 1.7x or 2x E series Teleconverters to capture even the most distant subjects.The AF-S NIKKOR 200-500mm f/5.6E ED VR's optical formula features three ED elements to enhance sharpness and minimize chromatic aberration. A 9-blade aperture provides a desirable, smooth bokeh, while Nikon's Silent Wave Motor technology helps to quickly and quietly achieve critical focus.

Nikon 200-500mm Features. Lightweight, compact super telephoto zoom: Whether your subject is far in the distance or close, fast or slow, you can landthe shot. No DisappointmentI pre ordered the lens and got it a few days ago. I was excited from the reviews I had read so when it came I was ready for it. My first thoughts was ' that's a big lens' but the packaging is a little misleading since the hood is packaged in it's separate cardboard container and set on top of the lens in the main box.

So it wasn't quite as large as first thought but when I got it out of the box and it's bubble wrapped bag I thought, 'That's still a big lens' It wasn't as heavy as I was expect. Ing from what other reviewers had said. I had mixed feeling since some said I would need a tripod and others said handheld was fine. I am basically a handheld kind of a guy but after I mounted it on my D800, I grabbed a monopod and headed for the wetlands see how it handled. I wanted to see how it 'worked' in my shooting style - Handheld and on the move - something that is not set up or in the studio. Since it does extend when you zoom there is a little difference in the balance but not too much and once realized it was a non problem.

It comes with a mounting collar for a tripod or monopod and at first I thought it was a little odd and might be in the way for hand holding but it turned out to be a good handle and a resting point for reaching the focus ring when I wanted to adjust the focus manually. If it bothers you, it does come off. It has a 2 position switch for focus - #M# manual and #M/A# Auto with manual override. That came in real handy when shooting birds that were inside tree branches. The auto focus would want to lock on the branches in front but a slight adjustment with the thumb on the focus ring corrected that. It is big and after about an hour or more I was thinking 'This thing is heavy'.

So I put it on the Monopod for a while. Since it is a 5.6 lens I was expecting to up the ISO to get a good a shutter speed. My first thought was something that would keep me above 1/1000 of a sec. #2 x 500 focal length# to help keeping things sharp but I found myself easily going well below 1/200 sec.

And even down to less than 1/60 in some cased. All the while maintaining an ISO of 200. Truth in advertising – it was midday and bright out. Plus I was glad it did have the VR. It was a noticeable difference at the slower shutter speeds. There was nothing scientific here, I shot across the range from 200 – 500 and from 5.6 – 27 #it’s rated to 32 but I deleted those files and cannot actually include them in my review#.

At the end of the day I found I had mostly selected a lot of 40-50 mm increments #200, 240, 300, etc# and I was getting clear sharp shots all across the range. I also favored the f5.6 – f8 range too. Most of those that were fuzzy were me not the lens or the camera. The worst thing I can say right now is maybe out past f11 or 16 - a little softer in the corners that could be attributed to the lens but I had to look for it. Also on the big screen in some shots, I did see a little chromatic aberration - mostly purple.

It was easily corrected and if you are looking for it and had some straight lines on the very edges of the frame there was some distortion. One click in PS and it was gone. I have not pushed the VR in Panning situations but I did do a couple shots at night using a porch light, a stucco wall and a couple things against the wall to see how well the VR worked. It is an excellent feature. I don’t know if everyone will get 4&1/2 f-stop with it but it is good. So where does that leave me on this lens - It was larger than expected, Do not kid yourself – it is for distance shooting as it won’t close focus unless you consider greater than 7 feet close.

You are probably not going to use this one for around the house snaps. It can be used very successfully handheld. It can and will get heavy. As with all large lenses #or any lens# mounting them ensures a sharper image. I was amazed at the image quality. I did not expect it to be as good as it is. It did auto focus slower than I expected.

On a D800 I shot the lens at 500mm and then cropped the image to only 10% of the frame and it was still sharp. This lens is a good deal. I still have more tests but I’m happy with it so far. Great photos, weak protection for the lensLoved the quality of the photos. Used the lens with a NIKON TC 1.4X iii on a tripod, and shot still subjects - great results. The drawbacks are: 1) cap on lens falls off easily; 2) hood falls off easily as well.

I compared the hood of the 200-500mm to the hood of the NIKON 70-200mm and there is a basic difference in the latching system. This means that the when the 200-500m lens bumps against something, the hood and the cap do not protect the lens the way they do on the 70-200mm; 3) As t. He lens has simple sealing, moisture enters the inner lenses easily so high risk of mold. This is a concern for me as I frequently photograph in humid areas. I rarely if ever leave reviews. But as a 20 year Canon shooter, this was a must. Not for me, for you!

I’ve shot the Canon 100-400, I’ve shot the 150-600, I’ve shot the 40m 5.6 L prime, time 300 4.0 L prime, and I’ve (we’ve) always said, if you put IS on the 400mm 5.6L prime, watch out. Well, here it is in a CONSTANT 5.6 up to 500mm.

And it’s a razor! Day one with this new member of my family was jaw dropping. Had to learn Nikon’s software on my D7500, but this combo is deadly. Do yourself a favor, and spend a few hundred more. You’ll be so glad you did. All 5.6’s get tough in low light! This performs no less than any other.

But the sharpness and color out of my D7500 is nothing short of am amazing. Couldn’t be happier.