Nino Rota Amarcord Rar

In all, Rota wrote scores to more than 150 films. Rota wrote several concerti and other orchestral works as well as piano, chamber and choral music. After his death Rota's music was the subject of the 1981 tribute album 'Amarcord Nino Rota'. Gus Van Sant used some of Rota's music in. Here Bill Frisell, Sharon Freeman, Deborah Harry, Wynton Marsalis, and Carla Bley, among others, take on the haunting circus atmosphere of Nino Rota's scores for the films of Federico Fellini. Download reloader activator. The emphasis is on the jazzy, with Frisell's shimmering, ethereal take on Juliet of the Spirits, Jaki Bayard's solo piano version of Amarcord, and Freeman's lively suite from La Dolce Vita among the highlights.

Anglophone listeners may associate film composer primarily with the first two Godfather films, but film buffs (and Italians) know that his longest and most fruitful association was the one he had with director. It began in 1952 with The White Sheik and continued for more than 25 years, through Orchestra Rehearsal, made shortly before 's death. Rarely if ever has there been a more ideal partnership between composer and director. 's keen sense of the grotesque, and his way of depicting the great Roman carnival as it passes by individual lives, found their counterparts in 's language, which was capable of absorbing the most diverse elements, many of them from popular music, without losing its coherence. Sample 'Carlotta's Galop' from the film 8 1/2 (Otto e Mezzo), where comes a bit close to ripping off the 'Sabre Dance' from 's Gayane. That suite and the one for Amarcord, probably 's most famous score, are presented in their original orchestration.

However, the fabulous La Dolce Vita score, expertly balancing the sardonic hedonism of the film's story with 's popular dance styles, is put in concert form by an arranger, as is the music from 's Casanova. One misses the 1950s films in which the collaboration excitingly took shape; perhaps La Strada or I Vitelloni or The Nights of Cabiria could have been substituted for Casanova or The Clowns, which presents 's contribution in a rather obvious form. This is a minor complaint. Conductor, who knew well, delivers rich, evocative performances of these scores at the podium of the. Recommended, and not just to film score buffs.

Film poster fromRomeo and Juliet, which Rota scoredSoundtrack albums22Film score compilations20Chamber music13Orchestral music20Opera2Below is a selected discography for (1911–1979). He was a prolific composer; there are a great many recordings of all of his music—both popular and classical; and it would be impossible to list all of them. Indeed, there are new performances and recordings of Rota's music being made to this day.Nino Rota is best known for his many film scores—in particular for the seminal films (1954), (1960), (1963), (1965), and (1974).

He also wrote the scores for 's (1968), ’s, and 's (1972). For Fellini alone, Rota produced almost 80 film scores starting with in 1952 and ending with the unfairly forgotten in 1979, the year of the composer's death.Rota's film scores were a great commercial success. The, with combined dialogue and music, reached number two and spent 74 weeks on the. The theme song for La Strada sold more than two million copies in Italy alone.The film scores won many awards. For example, the score for The Godfather was nominated for an, won a, a, and a.Less well known is the fact that Rota was a prolific composer of chamber music, operas, and orchestral pieces.

In all he produced four symphonies, twelve operas, five ballets, three piano concertos, three cello concertos, various choral works, and dozens of chamber works—the best known being his Concerto for Strings. Caracalla's (la Bersagliera) 2:42. La Bella 1:41. La Dolce Vita 2:39. Tarantella 2:38.

Ricordi Di Paese 1:41. In Viaggio Per Un Bidone 1:57. Un Eroe Dei Nostri Tempi 1:27.

Terra Lontana (valzer) 2:46. Milano E Nadia (boogie) 3:47.

Valzer Ai Laghi 2:37. Come Tu Vuoi (slow) 3:56. Carlotta's Galop 2:32. Il Charleston Di Giulietta 1:29. Quanto Mi Piace La Gradisca 3:09. L' Uccello Magico A Roma 1:54.

Galopp 4:56. Mazurka 1:49. Controdanza 3:40.

Polka 1:38. Quadriglia 2:35. Galop 1:39.

Valzer Del Commiato 3:59.